Once
asked in Paris Review interview the year before his Nobel
win about the difference between the novel and journalism, García Márquez
replied,
“Nothing.
I don’t think there is any difference. The sources are the same, the material
is the same, the resources and the language are the same.”
In
journalism just one fact that is false prejudices the entire work. In contrast,
in fiction one single fact that is true gives legitimacy to the entire work.
That’s the only difference, and it lies in the commitment of the writer. A
novelist can do anything he wants so long as he makes people believe in it
Gabriel García
Márquez was born in 1927 in the small town of Aracataca, situated in a tropical
region of northern Colombia, between the mountains and the Caribbean Sea.
He grew up with his maternal
grandparent – his grandfather was a pensioned colonel from the civil war at the
beginning of the century.
He went to a Jesuit college and
began to read law, but his studies were soon broken off for his work as a
journalist.
In 1954 he was sent to Rome on an assignment
for his newspaper, and since then he has mostly lived abroad – in Paris, New
York, Barcelona and Mexico – in a more or less compulsory exile.
Besides his large output of
fiction he has written screenplays and has continued to work as a journalist.
Mercedes, who has
been married to García Márquez for forty-one years, is a tall, striking woman
with shoulder-length brown hair. She is the granddaughter of an Egyptian
immigrant, whose influence seems to show up in her wide cheekbones and her
large, penetrating brown eyes.
García Márquez is
a short, deep-chested man with a careful, almost regal bearing. He is
seventy-two. He has soft brown eyes set in a comfortable, lined face. His curly
hair is gray, and he has a white mustache and bushy black eyebrows. His hands
are beautiful, with long slender fingers. He is an attentive and charming
conversationalist, and what Colombians call a mamagallista—a JOKER
Peter Stone met García
Márquez for an
interview and he wrote : "He
came to greet me, walking briskly with a light step. He is a solidly built man,
only about five feet eight or nine in height, who looks like a good
middleweight fighter—broad-chested, but perhaps a bit thin in the legs. He was
dressed casually in corduroy slacks with a light turtleneck sweater and black
leather boots. His hair is dark and curly brown and he wears a full mustache."
INTERVIEWER
Since we’ve
started talking about journalism, how does it feel being a journalist again,
after having written novels for so long? Do you do it with a different feel or
a different eye?
GARCÍA MÁRQUEZ
I’ve always
been convinced that my true profession is that of a journalist. What I didn’t
like about journalism before were the working conditions. Besides, I had to condition
my thoughts and ideas to the interests of the newspaper. Now, after having
worked as a novelist, and having achieved financial independence as a novelist,
I can really choose the themes that interest me and correspond to my ideas. In
any case, I always very much enjoy the chance of doing a great piece of
journalism.
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